January 2010
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Salvador Dali
madadmen: “A strong factor in Dali’s ostracism from the critical fold was always his exhibitionism: the absurd moustachios, the gigolo manner, the preposterous English in which he yoked together rhinoceros horns and concepts from nuclear physics, his department-store window stunts, his playing up to the American news media, his strangely asexual devotion to his wife, Gala (‘she has the look...
Jan 1st
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